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L'Indice dei libri del mese
''L'Indice dei libri del mese'' (''L'Indice'') is an Italian monthly of cultural information.
Founded in 1984, it is one of the most longeve〔http://www.editions-verdier.fr/banquet/n41/indice2.htm; the twenty-eight years of ''L'Indice'' have been the object of recent Ph.D. dissertations and seminars at the École des hautes études en sciences sociales: see http://www.ehess.fr/fr/enseignement/enseignements/2010/ue/1273/.〕 and authoritative in the field.〔See the (motivation ) for the (International Literary Prize “Mondello – Città di Palermo” ), granted to ''L'Indice'' in 2009 on occasion of the 25th anniversary of its foundation; see also a (recent article ) by the philosopher Gianni Vattimo published on the website of the Italian newspaper Il Fatto Quotidiano.〕 Taking inspiration from internationally renowned book reviews such as ''The Times Literary Supplement'' and ''The New York Review of Books'',〔http://lindiceonline.com/index.php?option=com_content&view=article&id=271&Itemid=1.〕 ''L'Indice'' offers its readers reviews of books and the arts (each issue contains up to a hundred book reviews〔http://www.qlibri.it/editoria-tradizionale/riviste-letterarie/l%27indice/.〕), and essays on current events and cultural topics starting from the most significant literary and intellectual production in Italian.
== History ==
The history of ''L'Indice'' begins in October 1984,〔See the (article ) of the Italian newspaper La Repubblica of October 28th, 1984, on the launch of ''L'Indice''.〕 with the literary critic Cesare Cases’s〔On Cases’s work for ''L'Indice'', see Gian Giacomo Migone’s (article ) on the Italian newspaper ''La Stampa'', August 11th, 2005.〕 words about what a book review is expected to achieve: «The essential is that the first moment, that is the description of a book’s contents, shall have the centrality it deserves. Connivance to the reader should not be established ... on the basis of specialistic interest nor by formal flatteries; contents only can ground it ... The essential is that the reader should get from the description of contents a clear idea of what the book is and of the reasons of its importance, those which have induced us to prefer it to others».〔''L'Indice dei libri del mese'', n. 1, 1984, p. 3. Translation from the original Italian «L'essenziale è che il primo momento, cioè l'esposizione del contenuto, abbia la centralità che gli spetta. La connivenza con il lettore non dovendo stabilirsi (...) né attraverso l'interesse specialistico né attraverso lusinghe formali, è solo il contenuto a determinarla (...). L'essenziale è che attraverso l'esposizione il lettore acquisisca una chiara idea di quel che il libro è e delle ragioni della sua importanza, ragioni che hanno fatto sì che lo scegliessimo a differenza di altri»〕
In its twenty-eight years of existence, ''L'Indice'' has always remained faithful to this program.〔As remarked by several Italian columnists on the occasion of the successful fund-raising campaign launched by ''L'Indice'' in 2011: see articles from (''La Repubblica'' ) (October 6th, 2011), (''La Stampa'' ) (October 6th, 2011), (''Il Quotidiano della Calabria'' ) (September 24th, 2011), (''Il Giornale'' ) (July 4th, 2011).〕 It has documented the Italian book production through reviews and notices, along with surveys, columns, interviews and articles of different sorts. Each of its editors has left his own mark on the review: Gian Giacomo Migone (1984–90) and Cesare Cases (1990–1994) have contributed to specify the original project, whose recognizable physiognomy is indissolubly associated with Tullio Pericoli's portraits and graphics, as well as with Franco Matticchio's drawings. Alberto Papuzzi (1994–1999) brought special attention to the relationship between cinema and literature/essays. Under Luca Rastello's (2000–2001) guidance, ''L'Indice'' inaugurated a new column, "Segnali" (Signals), focusing on cultural and political changes, as well as knotty issues in the society we live in. Mimmo Càndito (2001-) has enriched ''L'Indice'' with “Villaggio globale” (Global Village), hosting correspondents who write about books production in Europe and worldwide.
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